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In A Shared World

Every being in the world carries a distinct temporal structure, material dimension, and ecosystem of memories. At an individual level, each person is an entirely singular entity, with no exact replica capable of being perfectly reconstructed. Yet each individual exists both within a world of their own and in a wider web of relations, where differing experiences, perceptions, and values encounter and transform one another. The shared world is chaotic, yet it also possesses a certain order, it is perceptible and profoundly human, apprehended through different dimensions of people's society. In other words, what we regard as truth, value, or belief depends not only on the object of perception but also on the position and frame of reference of the perceiving subject.

History provides a lens through which to interpret the present in light of what has transpired. However, a certain distance always remains between an event and the ways in which it is remembered, interpreted, or disseminated. At the same time, history is continually reassessed through new evidence, documents, and perspectives, allowing the past to remain present in the contemporary moment and helping individuals and communities shape their understanding of themselves.

Culture reveals a process of sustained accumulation across generations. Through culture, people make sense of the world and form bonds within communities. It serves as a foundation for preserving identity, even as its systems are continually reinterpreted, adopted, and acculturated through cultural exchange in response to changing conditions of life.

Religion, too, addresses questions of origin, offering a framework through which to contemplate the meaning and limits of existence. Through its systems of symbols, philosophical doctrines, and ethical principles, religious belief connects individuals and guides them towards ideals of goodness, even as different traditions offer their own interpretations of the world.

These three axes continually intersect and collide, much like the countless threads of connection between individuals. Together, they form the three central thematic strands explored in the exhibition “In a shared world”.

Building on a line of inquiry initiated in the early 2000s, Le Quy Tong (b. 1977) has steadily developed a language characterised by areas of ambiguity, through which history and human fate may be viewed from multiple perspectives without necessarily arriving at a single conclusion. A similarly multi-perspectival narrative structure emerges in the works of Nguyen Hong Duc (b. 1980), whose networks of imagery bring multiple individual worlds into simultaneous presence within a larger, shared whole. Meanwhile, drawing on cultural material and its transformations through contemporary thought, Nguyen The Hung (b. 1981) employs layers of lacquer as a metaphor for the accumulation of experience and knowledge across generations. Working with silk and ideas informed by Buddhism, Tran Hoang Son (b. 1972) and Doan Van Toi (b. 1989) pursue two distinct approaches. Tran Hoang Son draws on traditional techniques to connect religious imagery with contemporary life and explore the interplay between humanity and nature. Doan Van Toi, by contrast, employs conceptually driven silk installations – a hallmark of his practice in recent years – to prompt reflection on the dualities of movement and stillness, as well as the fundamental nature of all things.

As perspectives on history, culture, and belief converge through the distinct artistic approaches of these five artists, the exhibition does not seek to deliver a definitive account of right and wrong, nor to proclaim a particular way of life. Instead, it brings different viewpoints into coexistence, allowing them to intersect and illuminate one another within a reality that is inherently complex and interconnected. In this process, art does more than provide images through which pre-existing ideas are expressed, it creates its own modes of inquiry, through which questions of history, culture, and belief can be experienced, interpreted, and reconsidered in new relationships.

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Le Quy Tong

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Nguyễn Thế Hùng

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Every being in the world carries a distinct temporal structure, material dimension, and ecosystem of memories. At an individual level, each person is an entirely singular entity, with no exact replica capable of being perfectly reconstructed. Yet each individual exists both within a world of their own and in a wider web of relations, where differing experiences, perceptions, and values encounter and transform one another. The shared world is chaotic, yet it also possesses a certain order, it is perceptible and profoundly human, apprehended through different dimensions of people's society. In other words, what we regard as truth, value, or belief depends not only on the object of perception but also on the position and frame of reference of the perceiving subject.

History provides a lens through which to interpret the present in light of what has transpired. However, a certain distance always remains between an event and the ways in which it is remembered, interpreted, or disseminated. At the same time, history is continually reassessed through new evidence, documents, and perspectives, allowing the past to remain present in the contemporary moment and helping individuals and communities shape their understanding of themselves.

Culture reveals a process of sustained accumulation across generations. Through culture, people make sense of the world and form bonds within communities. It serves as a foundation for preserving identity, even as its systems are continually reinterpreted, adopted, and acculturated through cultural exchange in response to changing conditions of life.

Religion, too, addresses questions of origin, offering a framework through which to contemplate the meaning and limits of existence. Through its systems of symbols, philosophical doctrines, and ethical principles, religious belief connects individuals and guides them towards ideals of goodness, even as different traditions offer their own interpretations of the world.

These three axes continually intersect and collide, much like the countless threads of connection between individuals. Together, they form the three central thematic strands explored in the exhibition “In a shared world”.

Building on a line of inquiry initiated in the early 2000s, Le Quy Tong (b. 1977) has steadily developed a language characterised by areas of ambiguity, through which history and human fate may be viewed from multiple perspectives without necessarily arriving at a single conclusion. A similarly multi-perspectival narrative structure emerges in the works of Nguyen Hong Duc (b. 1980), whose networks of imagery bring multiple individual worlds into simultaneous presence within a larger, shared whole. Meanwhile, drawing on cultural material and its transformations through contemporary thought, Nguyen The Hung (b. 1981) employs layers of lacquer as a metaphor for the accumulation of experience and knowledge across generations. Working with silk and ideas informed by Buddhism, Tran Hoang Son (b. 1972) and Doan Van Toi (b. 1989) pursue two distinct approaches. Tran Hoang Son draws on traditional techniques to connect religious imagery with contemporary life and explore the interplay between humanity and nature. Doan Van Toi, by contrast, employs conceptually driven silk installations – a hallmark of his practice in recent years – to prompt reflection on the dualities of movement and stillness, as well as the fundamental nature of all things.

As perspectives on history, culture, and belief converge through the distinct artistic approaches of these five artists, the exhibition does not seek to deliver a definitive account of right and wrong, nor to proclaim a particular way of life. Instead, it brings different viewpoints into coexistence, allowing them to intersect and illuminate one another within a reality that is inherently complex and interconnected. In this process, art does more than provide images through which pre-existing ideas are expressed, it creates its own modes of inquiry, through which questions of history, culture, and belief can be experienced, interpreted, and reconsidered in new relationships.

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